Remember Sunday’s post with the roadside memorial?
I shared it on Facebook and a couple of Photoshop-savvy friends took guesses on how I created it, but they couldn’t figure it out. Their methods were more work than what I actually did. In fact, my method was ridiculously easy. I didn’t do any painting or erasing. In fact, I barely did anything by hand.
First, let’s look at the original photograph:
It was a quick stop; I had spied the memorial earlier, and on my way home, I parked, dashed over and grabbed a few shots with my iPhone. This was the best of the bunch, and I consider it an example of why, as much as I love my iPhone camera, it often fails me. Since I am limited as to how much I can control the exposure, this photo wound up washed out and did not tell the story I saw there. But I knew from the start that what I recorded in pixels was not going to be the end product.
The first thing I did was make the corrections in exposure and contrast that the iPhone couldn’t do on its own. I also cropped it to better emphasize my subject:
As much as it had improved, the dirt and dried up brush was really busy and I felt it overpowered the important elements — the cross, the flowers and, importantly, the little burnt-out glass candles. So I pulled out a trick I have been playing with a lot recently:
Yep, the Hue/Saturation adjustment. But the fun is in using it selectively. I bypassed the master control completely and adjusted the different colors. Since dirt is primarily Reds and Yellows, I desaturated them both by quite a bit. Here are my adjustments for those colors:
I didn’t take out these colors completely; I wanted to leave just a touch in. Meanwhile, I pumped up the Magentas, Cyans and Greens considerably and tweaked the Blues just a bit. Here is what I wound up with:
Yes, it is missing one thing: the cross — because when I desaturated the Reds and Yellows, it removed most of the cross’s color. What I did about that happened right after I added the contrast and minor color corrections, but before the Hue/Saturation adjustment: I masked out the cross with the Polygonal Lasso tool (I tried several methods and that one worked the best):
That was the only thing I remotely did by hand. Once I was done with the rest of the adjustments, I added it back in, and that completed the picture.